Heiner Müller is an unmistakable voice of world theatre. Fierce and brilliant, brutal and profound. In Macbeth, Müller adds a contemporary vision to William Shakespeare’s work, more bloodthirsty and brutal. In these times of war, of questioning the obstacles to democracy and human values, it proves to be an instrument of reflection in contemporary Europe.
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BIO
Paulo Castro, a Portuguese actor, director, playwright and director living in Adelaide (Australia), founded the company STONE/CASTRO with Jo Stone. He is currently Artistic Director of Strings Attached Theatre of Dosability in Adelaide. He recently staged My War for the State Theatre SA Adelaide with his company No Strings and Military Emergencies Services Health Australia (with Australian soldiers returning from the front with PTSD), the show was nominated in 2024 for the prestigious Ruby Award, in the category of best show of the year.
In Portugal, between 1996 and 2001, he worked with the São João National Theatre. In Berlin, he developed his performance work and presented a series of works with great international impact. He has written texts for Ana Borralho and João Galante (Linha do Horizonte, Alkantara Festival), Miguel Moreira and John Romão (Eu sou o porco). With John Romão, he co-staged Cada Sopro by Benedict Andrews (2013) at the Polytechnic Theatre. He directed Massacre (2011), a co-creation with John Romão, for the Citemor e Negócio/ZDB Festival.
